This is the part of the semester where the rubber really meets the road. This past week, I reminded students that we only had three weeks left to the semester and many of them were running out of time to get things they’ve been putting off done.
Some might think lowering expectations is in order — on my part. But I’m firmly of the opinion that if even one student is able to keep up the pace and do well without a significant diminishment in their overall quality of life, the rest had the same opportunity.
We all make decisions along the way that gets us to where we are now. Lowering the bar at this juncture only reinforces the notion that “If I procrastinate long enough, those that expect something of me will lower their expectations and I won’t have to do the work.” And what message does this send to those that applied themselves all along?
The question I set myself is this: “What would it be like to spend the next five (or ten) years working with one of these students, side by side, on my team?”
To help with what seems to be growing confusion, here is what is available in Fall 2015 and Spring 2016
COMM 390 Qualitative Research Methods in Communication is Recommended for Majors only
COMM 100 Introduction to Communication Studies – multiple sections offered every semester
…and any FOUR of the following (at least one must be at the 200-level and two at the 300/400-level) for Core Concentration
…and any FIVE of the following (at least one must be at the 200-level and two at the 300/400-level) for the Minor
200 level (1 req’d)
300-400 level (2 req’d)
*COMM 165 Intro to Visual Comm
*COMM 250 Intercultural Comm
COMM 330 International Communication
*COMM 265 Visual Rhetoric, Visual Culture
COMM 365 Digital Media in a Global Context
COMM 375 Global Audiences, Global Consumers
COMM 380 Visual Media in a Cultural Context
COMM 385 Gender, Globalization and the Media
COMM 432 SpTopics in Global Communication
COMM 465 McLuhan’s Global Village
* OFFERED EVERY SEMESTER
WTNG 300 Rhetoric and Cultural Differences
AVAILABLE SPRING 2016
COMM 165 Introduction to Visual Communication
COMM 250 Intercultural Communication
COMM 265 Visual Rhetoric, Visual Culture
COMM 330 International Communication
COMM 465 McLuhan’s Global Village (2 sections)
COMM 432 SpTp: Communication for Social Change
OTHER OFFERINGS THAT WILL BE AVAILABLE IN FUTURE YEARS:
COMM 330 International Communication (2015-2016)
COMM 365 Digital Media in a Global Context (SP2018)
COMM 375 Global Audiences, Global Consumers (???)
COMM 380 Visual Media in a Cultural Context (SP2017, was last offered SP14)
COMM 385 Gender, Globalization and the Media COMM 432 Special Topics in Global Communication WTNG 300 Rhetoric and Cultural Differences (FA2018)
Posted in Global Comm | Comments Off on For Global Comm Minors and Core Concentrators
If none of the available times works for you because of classes or work, let me know and we will set something up outside these times. I’ll be filling up the chocolate jar Those of you studying abroad this semester should already have the advising spreadsheet to work from but, certainly, email me if you have questions.
If you are a graduating Senior, please make sure that you have filed your Graduation Petition. I can help you with that.
I’m putting this here for the benefit of ALL my students, not just those who will have to write one or more papers in my classes. Instead, I will put a link to this post on all my course companion websites in the syllabi.
Walvoord, B. E. (2014). Assessing and Improving Student Writing in College: A Guide for Institutions, General Education, Departments, and Classrooms. San Francisco: Jossey-Bass.
The expert writer:
Focuses the writing appropriately for the demands of the assignment, situation, and audience, whether that means constructing an argument, recommending solutions to a problem, or reporting scientific research. Uses the modes of reasoning and inquiry, as well as the conventions of correctness that are considered appropriate to the discipline, but also understands the rhetorical situatedness of those modes and their intellectual, political, and social consequences.
Organizes the writing in an effective way for its audiences and purposes.
Locates, evaluates, integrates, and cites information from various sources.
Follows ethical principles for research and writing, including collaboration with peers, use of sources (avoiding plagiarism), and ethics of the disciplines such as protecting privacy, presenting accurate data, and respecting alternative viewpoints.
Integrates quantitative material, charts and graphs, images, and other multimedia material as appropriate; understands, critically evaluates, and appropriately employs new technologies and new digital and multimedia forms.
Produces clear, coherent sentences and paragraphs shaped for their audiences and purposes.
Uses the grammar and punctuation of Edited Standard Written English (ESWE) in appropriate circumstances, such as formal academic, business, civic, and professional writing.
Follows productive writing processes.
Collaborates effectively with others to both give and receive feedback on a writer’s emerging work. (my emphasis).
But before you can do that, you have to internalize the following:
See that writing is important and necessary
Experience a safe, supportive, yet rigorous environment with instructors who believe in students’ ability to improve as writers
Read, read, read, and, more broadly, work within an interactive, language-rich environment
Write frequently in genres that require higher-order thinking
Learn to work in multimedia forms and use developing technologies
Get helpful guidance, feedback, and chances to revise
Learn mindfulness about their own writing (metacognition) and principles they can apply across contexts (again, my emphasis)
Taken from Tomorrow’s Professor eNewsletter #1387, February 16, 2015.